
FILM CREDITS
Directed by Claudio Napoli, Eugenia Paulicelli, June Seo
AND
Featuring: Donna Zakowska, Eugenia Paulicelli, Massimo Cantini Parrini
AND
John Turturro
Written by
Eugenia Paulicelli
Edited by
Claudio Napoli
Narrated by
Jacopo Rampini
VIDEOGRAPHY
Claudio Napoli
Pina Mastropietro
GRAPHIC AND VISUAL DESIGN
Claudio Napoli
AI MUSIC DESIGN
Claudio Napoli
COLOR GRADING
Crescenzo Mazza
POST-PRODUCTION
OKOZOKO
THANKS TO
David Ward
Massimo Mascolo
FASHION SHOW CREDITS / BEHIND THE SCENES FASHION
Directed by June Seo
CINEMATOGRAPHY
Claudio Napoli
Kathryn Elizabeth Kharney
BACKSTAGE PHOTOGRAPHY
David Tsikolia
DRAMATURGS
Zacha del Rosario
Shwe Ye Shoon Myat
ART DIRECTOR
Hannah Bang
PRODUCTION ASSISTANT
Jasmine Kiah
FASHION SHOW STYLIST
Jeffrey Ampratwun
MODELS
Kelsey Butler
Michelle Amelia
Casidy Chan
Alyssa Bacon
Lianna Joan
HAIR AND MAKE-UP
Germayoli Peralta
Shayra Mock
TAILORS
Shanelle Butler
Rita Palazzo
FASHION SHOW PRODUCTION ASSISTANTS
Sarah Porterfield
Marissa Gujarro
Bianca De Silva
PRODUCTION TEAM
EXECUTIVE PRODUCER
Eugenia Paulicelli
PRODUCTION TEAM
Clare Johnson
Associate Producer
Carolyn A. McDonough
Associate Producer
HEAD OF RESEARCH
Eugenia Paulicelli
RESEARCH TEAM
Marissa Gujarro
Clare Johnson
Bianca De Silva
Iris Finkel
WITH THE SUPPORT OF
PSC-CUNY Grant
The City University of New York
The Fabric of Cultures Fund
Queens College, CUNY
The Fabric of Cultures Costume Collection
The Graduate Center, City University of New York
Main location for interviews and fashion show
SPECIAL INSTITUTIONAL THANKS and SPECIAL INDIVIDUAL THANKS
Simone Verde
Director of the Uffizi Galleries
Vanessa Gavioli
Curator of the Museum of Costume and Fashion
Amy Furman
Marielle Villere
Brian Peterson
Dean of the Office of Academic Initiatives and Strategic Innovation
and Senior Vice President at the CUNY Graduate Center
The Mina Rees Library
Maura A. Smale
Chief Librarian and Associate Dean, Mina Rees Library
Awilda Ojeda
Assistant to the Chief Librarian
Katherine Carl
The James Gallery
Stefano Morello
Assistant Director for Digital Projects, The New Media Lab
The MA/PhD Program in Comparative Literature
Fashion Studies in the Master of Arts and Liberal Studies, MALS
The PhD Certificate Program in Film and Media Cultures
ARCHIVES AND COLLECTIONS — ITALY
Museum of Fashion and Costume
Palazzo Pitti, Galleria degli Uffizi, Florence
Curator Vanessa Gavioli
Katia Sanchioni
Cinecittà, LUCE Archivio
Fabio Riveruzzi
Cristiano Migliorelli
ARCHIVES AND COLLECTIONS — UNITED STATES
The Costume Collection
The Metropolitan Museum of Art, New York
Bethany Gingrich
Collection Specialist
Marci Morimoto
Associate Collection Manager
Julie Lê
Associate Museum Librarian
Matthew Raj Webb
Polaire Weissman Curatorial Fellow
The Museum of the City of New York
Elizabeth Randolph
Collections Manager for Costume and Textiles
The Richard Nixon Presidential Library and Museum
National Archives and Records Administration
Christine Mickey
Supervisor Museum Curator
The New School
School Archives and Special Collections, New York, NY
Jenny Swadosh
Archivist
“The Designer” and Audio Interview with Frank Rizzo
Fashion Institute of Technology, New York, NY
Eleanor Lambert Collection 1942-2003
Department of Special Collections and FIT Archives
The New York Public Library
Fashion Group International Records
Manuscripts and Archives Division
The New York Public Library
Astor, Lenox, and Tilden Foundations
Tal Nadal
Reference Archivist
PUBLIC DOMAIN ARCHIVAL FOOTAGE
Source: Internet Archive www.archive.org
ferdinandosarmifilm.com
© 2026
All rights reserved
AI-Assisted Visual Restoration & Historical Reconstruction Statement:
Artificial Intelligence tools were selectively used in the post-production of this documentary to restore, enhance, and improve archival photographs and historical materials. In a limited number of instances, AI-assisted imagery was also created to visually reconstruct historical scenes for which original photographic documentation was unavailable. These reconstructions were based on documented events and developed in accordance with the historical context of the period, preserving factual and historical accuracy without altering or misrepresenting the historical narrative.